Analyse Porphyrias lover by Robert Browning Essays

Analyse Porphyrias lover by Robert Browning Essays Analyse Porphyrias lover by Robert Browning Paper Analyse Porphyrias lover by Robert Browning Paper Essay Topic: Poetry The Secret Life Of Bees Porphyrias lover is one of the most dramatic monologues written by a Victorian poet. Many tried to grasp new concepts of sensuality and brutality but it was Browning who captured these themes perfectly. As the Victorian society developed its understanding on sexuality and morality, people realized how many problems they have to face due to the idea of bad and wrong. Consciousness was a new idea so many poets didnt look at the normal side of the society but tried to develop their understanding and reflection of the insane minds. Porphyrias lover is a great example of such a reflection. Through the monologue we are pushed to face the conflict within the mind, the most twisted endeavors of our souls and the tip of a huge mountain of insanity. The narrator of this great piece is a complex multi layered character who shows us the problems and conflicts within his mind. Browning unfolds the secrets of the narrator very subtlety. The murder is described with a passive and apathetic voice which makes this poem seem so unreal and abstract. The author touches the most delicate and dark sides of our mind and shows us what would happen if the was no conscious present or if it was understood differently. The narrator describes his actions as I found a thing, thing to do,( )and strangled her. This is a very passive description of a action. It tells us that the narrator believed it was a natural action; killing the girl. Her love was so dear to him, that he decided to keep it in her for eternity. This action could theoretically be considered romantic. However, isnt killing someone a brutal action. Here we are facing a great conflict. Were his actions romantic or rather brutal, is taking someone elses life a loving or a evil action? The narrator doesnt even see other possibilities. He is so satisfied with the love and compassion she is showing him ( happy and proud; at last I knew Porphyria worshiped me) On the other hand Browning tells us there was some questioning to his actions. No pain felt she, Im quite sure she felt no pain the narrator is reassuring himself that his actions were right and loving. This tells us that there was some rational thinking in his head. However, rational doesnt mean the same thing to everyone. There is no clear description of what is rational or not. If there is enough evidence to back up your action then it may as well be considered rational. The point is that the narrator does back up his actions with reasoning, unfortunately his reasoning and his action do not weigh each other out meaning that in our modern reality his mind is unbalanced and incorrect. To show the deep complexity of ones mind, Browning uses a very particular rhyme pattern through out the piece ABABB. The intensity and asymmetry of the pattern suggests the madness concealed within the speaker’s reasoned self-presentation. The speaker uses a few great metaphors. As a shut bud that holds a bee, I warily opened her lids. This could indicate the reflection upon his actions. As we know bees sting, the narrator doesnt want to feel the painful truth. A beautiful flower has died with his love hidden inside. It is now not visible so he opens her eyes again, afraid of what he might see; pain, horror, hate. Hes scared that once the bud id open his love will sting him and fly away. In the last line of the poem the author talks about the result of his actions, and yet God has not said a word. This tells us that the narrator knows his actions could be considered as bad but yet no one has done anything. No one stopped him from doing what he had done therefore it was right. This also indicated that our speaker is religious and is scared aware of heaven and hell, this could suggest that to hold Porphyrias love and passion was so dear to him it was worth more than being a good man or going to heaven.

Biography of Kerry James Marshall, Contemporary Artist

Biography of Kerry James Marshall, Contemporary Artist Kerry James Marshall (born October 17, 1955) is a prominent contemporary African-American artist. He broke ground for black artists by rising to the upper echelon of the art world while remaining steadfastly dedicated to presenting work that explores the black experience in America. His experience growing up in the Watts neighborhood of South Central Los Angeles profoundly influenced his art. Fast Facts: Kerry James Marshall Occupation: ArtistBorn: October 17, 1955 in Birmingham, AlabamaEducation: Otis College of Art and DesignSelected Works: Voyager (1992), Many Mansions (1994), Portrait of Nat Turner with the Head of His Master (2011)Notable Quote: One of the reasons I paint black people is because I am a black person. Early Life and Career Born in Birmingham, Alabama, Kerry James Marshall moved with his family to the Watts neighborhood of South Central Los Angeles as a young child. He grew up surrounded by the Civil Rights and Black Power movements of the 1960s. He was an eyewitness to the Watts riots that occurred in August 1965. As a teenager, Kerry James Marshall took part in a summer drawing class at the Otis Art Institute in Los Angeles after a teacher nominated him for inclusion. There, he was shown the studio of artist Charles White who later became his instructor and mentor. Kerry James Marshall enrolled as a full-time student at the Otis Art Institute in 1977 and earned a Bachelor of Fine Arts degree in 1978. He moved to Chicago in 1987 after completing a residency at the Studio Museum in Harlem, New York City. Marshall began teaching at the University of Illinois at Chicago in 1993, and he earned a genius grant from the John D. and Catherine T. MacArthur Foundation in 1997. History as Subject Matter Many of Kerry James Marshalls works reference events from American history as primary subject matter. One of the most prominent is 1992s Voyager. The boat featured in the painting is named Wanderer. It references the story of the former yacht that was the last ship to bring a large number of African slaves to America. In violation of a 50-year-old law prohibiting the importation of slaves, the Wanderer arrived at Jekyll Island in Georgia in 1858 with over 400 slaves on board. It was the final event in the history of the African slave trade in America. In 2011, Marshall painted Portrait of Nat Turner with the Head of His Master. It is a nearly full-length portrait in the manner of traditional portraiture, but the grisly image of a man slaughtered in his sleep lying behind Nat Turner is chilling. The historical event referenced is the two-day slave rebellion led by Nat Turner in 1831. Housing Projects In 1994, Kerry James Marshall painted a series titled The Garden Project. He depicts life in public housing projects in the U.S. inspired by his own experience living in Nickerson Gardens, a 1,066-unit apartment complex in the Watts neighborhood of Los Angeles. His paintings in the series explore the dichotomy between the imagery evoked by the names of the projects using the word Gardens and the reality of harsh life in public housing. It is a metaphor for the lives of African-Americans in contemporary America. One of the key pieces is 1994s Many Mansions. It shows three black men in formal clothing performing the manual labor of planting flowers for a housing project. Their depiction is at the center of Marshalls juxtaposition of the ideal evoked by the concept of a public housing project with the reality of the residents experiences. Another painting in the series, Better Homes, Better Gardens, shows an idyllic young black couple strolling through a brick housing project. The inspiration for this piece is Chicagos Wentworth Gardens. It is notorious for a history of gang violence and drug problems. Concept of Beauty Another frequent subject of Kerry James Marshalls work is the concept of beauty. The people depicted in Marshalls paintings usually have very dark, almost flat black, skin. He explained to interviewers that he created the extreme to specifically draw attention to the distinctive appearance of black Americans. In a series of 1994 paintings of models, Marshall depicts male and female black models. The male model is shown against a mostly white background that emphasizes the blackness of his skin. He is lifting his shirt to presumably share the power of his physique with viewers. He painted a topless female black model with the names Linda, Cindy, and Naomi inscribed in the upper right. They are the iconic supermodels Linda Evangelista, Cindy Crawford, and Naomi Campbell. In another model painting, Marshall juxtaposed the image of the female black models face with those of blonde white models. Mastry In 2016, Kerry James Marshalls work was the subject of the historically significant retrospective Mastry at the Museum of Contemporary Art in Chicago. The exhibition covered 35 years of Marshalls work with nearly 80 pieces displayed. It was an unprecedented celebration of the work of an African-American artist. In addition to its overt celebration of the black experience in America, many observers saw Kerry James Marshalls work as a reaction to the movement of much of the art establishment away from traditional painting. Unlike celebrated experiments in minimalist and conceptual art, Marshall creates his works with an eye toward arranging his subject matter in ways that stretch back to the traditions of art from the Renaissance era. Kerry James Marshall has explained that he is more interested in being a painter than creating art. When the Mastry exhibition traveled to the Metropolitan Museum of Art in New York City, Kerry James Marshall selected 40 works from the museums permanent collection that he particularly valued as inspiration. The exhibit within an exhibit was titled Kerry James Marshall Selects. Public Works Controversy In 2018, Kerry James Marshalls paintings made headlines in two controversies over the value of public art contrasted with the benefit of public services that could be provided with money earned from sales of the art. In May, the Metropolitan Pier and Exposition Authority of Chicago sold the monumental piece Past Times to rap artist and entrepreneur Sean Combs for $21 million. The original purchase price was $25,000. The piece previously hung in the McCormick Place convention center on public display. The money earned from the auction provided a windfall to the budget of the public agency. Even more controversial was the announcement by Chicago mayor Rahm Emmanuel that the city would sell the 1995 Kerry James Marshall painting Knowledge and Wonder. It hung on the wall in one of the citys public library branches. Commissioned for $10,000, experts pegged the value of the painting at somewhere near $10 million. Emmanuel planned to use the funds from the sale to expand and upgrade a branch of the library on the citys west side. After intense criticism from the public and the artist himself, the city withdrew plans to sell the work in November 2018. Source Tate, Greg, Charles Gaines, and Laurence Rassel. Kerry James Marshall. Phaidon, 2017.

First Tennessee Bank (First Horizon National Corp) - Organizational Research Paper

First Tennessee Bank (First Horizon National Corp) - Organizational Behavior - Research Paper Example Organizational behavior is an integral aspect of various successful businesses. For a more precise understanding of the organizational behavior at FTB, it is important to identify certain norms and characteristics that determine the aspects of the regional bank. Some of these characteristics of organizational behavior include, firstly, attitudes and values of employees for example company culture, social responsibility and others. Secondly, motivation and performance, which encompass factors like, job security, bonuses, raises, and employee mentoring programs. Thirdly, managerial challenges for example global competition. The three factors play a significant role in shaping FTB’s organizational culture (Marquis& Huang, 2010). Employee work rate is governable by their perception or attitude towards the job they do. Such attitudes are achievable through values and ethics that dictate the manner in which organizational operations remain executed. Upholding workplace values and ethical practices ensures that there is no friction between the leadership of organizations and the junior employees. At FTB, the following are prevalent: Differentiated customer service considers the customer’s identities, in that, services are offered to customers automatically via a software system. An example is telematics, which is a component of information technology that deals with the transfer of digitized organizational information over long distances. FTB entered into a partnership with Ensenta Corporation, a software development organization. FTB is devoted to improving convenience for its customers and at the same time enhancing efficiency within the bank’s workforce. Therefore, Ensenta assists in achieving this goal by refining the remote deposit capture (RDC) service offered to customers. RDC is an information technology system that allows bank clients to scan checks from their diverse locations and send the images to FTB remotely through the